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Current Issue Issue Archive
In Detail Fender’s 1962-’81 Jazz Bass Introduced in 1960 to provide players with a feel and sound that varied significantly from Fender’s Precision, the Jazz Bass was intended to be the more tonally diverse, slicker-playing descendant. By Ward Meeker JAY JAY FRENCH A Long, Twisted Trip His musical roots were established amidst the sounds made by folkies and mid-’60s American blues, but he became famous for playing anthemic ’80s rock. Today, he tends a fine collection of guitars. By Ward Meeker AMP-O-RAMA Fender‘s 1958-’60 Bassman Though the Bassman debuted in 1952 as a 1x15" combo with a semi-closed back, the 5F6 version introduced in 1955 has long been seen as a significant improvement in its form. By Dave Hunter GIBSON F-4 Gibson’s F-5 is today considered the ultimate mando. But through the first quarter of the 20th century, the F-4 was considered by most players – including Lloyd Loar himself – to be the finest mandolin available. By George Gruhn and Walter Carter THE VG N.O.S. 6V6 SHOOTOUT It’s no secret that the supply of N.O.S. vacuum tubes is drying up faster than petrol in a ’56 Caddy. And if you’re a fan of the 6V6, now’s the time to secure a supply of your own before they’re only for the wealthy. Here’s what to look for... By Nathaniel Riverhorse Nakadate KAY VIOLIN-STYLE GUITAR One prominent thread in the story of the guitar is a quest for more volume effectively achieved with the electric guitar but actually started in the 1890s, when guitarists replaced gut strings with wire – and began using instruments like this. By Michael Wright BASS SPACE Kiss-able EB-0 The Gibson EB-0 debuted in 1959 with a double-cutaway body and a silhouette inspired by second-generation Les Paul Juniors. In the mid 1970s, Kiss’ Gene Simmons may well have played this one. By Willie G. Moseley THE DIFFERENT STRUMMER Semie Moseley: The Lost Interview, Part One From a 1981 interview that has never been published, the hugely influential guitar builer provides fascinating reminiscences about his early days, and some of his adventures in the 1970s. By Michael Wright DEPARTMENTS Vintage Guitar Price Guide Builder Profile Mermer Guitars Upcoming Events Vintage Guitar Classified Ads Dealer Directory The Great VG 20th Anniversary Giveaway Register to win your share of $35,000 in prizes! Readers Gallery FIRST FRET Reader Mail News and Notes Rebirth of Blackie, Bill Schultz remembered, PRS Breaks Ground, Stolen Gear, In Memoriam, more! Phil Keaggy Triple Duty By John Heidt Bo Ramsey Paying Respects, Paying Dues By John Heidt Big Bill Broonzy Ambassador of the blues By Dan Forte Ask Zac By Zac Childs Robert Cray Live... At Last! By John Heidt Skydog Story Writing the book on Duane Allman By Eric C. Shoaf Classic Concerts February/March, 1968, Philadelphia By Rick Vito COLUMNS Q&A With George Gruhn Acousticville A Curmudgeon Goes on Vacation By Steven Stone Fretprints Leslie West By Wolf Marshall “401K” Guitars Mining For Gold(tops) By Gil Hembree TECH Dan’s Guitar Rx An Ounce of Prevention By Dan Erlewine Guitar Shop Taming the Beast By Tony Nobles Talkin’ Amps With... Robert Vosgien on high-dollar counterfeit amps By David Jung REVIEWS The VG Hit List Doc and Merle Watson, Pat Metheny, Steepwater Band, James Hunter, Rick Vito, more! Check This Action Bluegrass Done Right By Dan Forte Vintage Guitar Gear Reviews Sadowsky Jimmy Bruno, Froggy Bottom L, JCA Circuits Golden Ratio 1.6, Singletouch Triune Cream Gearin’ Up! The latest cool new stuff! |
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